Bound (1996) - Trailer Included
September 21st 2007 04:53
Bound
Bound (1996) was the movie that assured the brothers who wrote and directed it - Andy and Larry Wachowski - their next movie; the very ambitious first part of a trilogy called The Matrix. And fair enough, as Bound is a most impressive feature debut (less impressive is their previous screenplay, the awful Assassins).
Bound is a nu-noir, a modern gangster tale, told in tight economical form with lashings of style and wit, and healthy (or unhealthy, depending on how you look at it) splashings of ultra-violence. There’s also some hot and heavy petting between the moll and the femme fatale, which gives Bound a chic lipstick lesbian meets butch dyke edge. Bold, but the brothers pull it off.
Corky (Gina Gershon) is an ex-con hired to work in an apartment as a plumber. She meets Violet (Jennifer Tilly) who lives in a swish pad next door with her mobster boyfriend Caesar (Joe Pantoliano), who launders money for the Mafia. The two women begin a clandestine affair and Violet convinces Corky to help her steal $2,000,000 that Caesar has in custody before he gives it back to Mafia boss Gino Marzone (Richard C. Sarafian).
The money was initially stolen and some of Caesar’s nasty colleagues torture the man responsible in Violet’s apartment (which Corky can hear through the plumbing). The two scheming women set Ceaser up, but he reacts unexpectedly and things start to go seriously awry. With Gino and his hotheaded son Jonnie (Christopher Meloni) missing in action, his main hitman Mickey (John P. Ryan) begins to close in on the scene and Violet and Corky must act swiftly.
Bound is a superbly constructed screenplay that slowly tightens the knot and screw in classic Hitchockian tradition, except this is more lurid and nastier than what Hitchcock would’ve produced, although it owes much to the master of suspense in its visual stylistics and plot devices. Even the uber-stylish opening title credit sequence would have made Hitchcock titles regular Saul Bass nod with warm approval.
The movie boasts sensational work from the cast, especially the three leads; Gershon, Tilly and Pantaliano. Gershon delivers arguably her finest performances to date (that and her other leather turn in Prey for Rock & Roll). Tilly, whom normally annoys the pants off of me with her whispery high-pitch, is perfect as the mischievous seductress. Other top notch support comes from Christopher Meloni (TV’s Law & Order: SVU) as obnoxious Jonnie and John Ryan as the unctuous Mickey.
The movie takes place almost entirely within the two apartments (Violet’s pad and Corky’s flat). There is an early scene establishing Corky’s nonchalant swagger in a dyke bar where she tries to pick up an older, more butch woman played by literary luminary Susie Bright, who also served as “technical consultant” (read: lesbian supervisor), but has a “cop” intervene. Corky then delivers one of the movie’s many memorable lines: “When you get tired of Cagney & Lacey, find me.”
The camerawork in Bound is marvelous. From the opening set-up (you wonder where on earth you are) tracking down through a wardrobe full of plush coats and jackets to the pulling out of a snub-nosed .38 Special in extreme close-up, with a tumbler of whiskey beside it. Also the very conscious decision of using mostly black and white art direction (with red, of course) makes Bound a most artful construction. The image of deep red blood splashing over thick white paint is a powerful piece of dark visual poetry.
Bound is a movie that was aged well, and rewards from repeat viewings. Grab some mates, grab a bottle of smoky whiskey (Glenlivet is the movie’s malty slug), ease back into the sofa, and wrap yourself up in Bound.
Here's the original movie trailer:
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Comment by Louie
Climate Forum
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happy friday
Comment by Bryn
Horrorphile
Comment by KylieW
Celebrity Obsession
Also nice that the Wachowski brothers (well they were then) didn't get sidetracked by the lesbian storyline. I thought they really built the tension perfectly. When I first realised where the story was going I'll admit to thinking that they were going to try to gloss over the lack of storyline with a few titillating girl on girl scene's (which lets face it many movie studios would have done!).
Comment by postmoderncritic
Postmodern Critic
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Comment by Bryn
Horrorphile
post, cheers mate, I'm enjoying writing a few non-horror movie reviews for JD ...
Comment by Damo
For the Sake of Argument
My Apologetics
Wachowski Bro are a strange pair.
Some good movies, some excellent.
So far only Ghost Ship really sucks.
Comment by Bryn
Horrorphile
This is well worth checking out, right up your alley. It's a lean style with sharp, but not too ostentatious, visual stylings.
Comment by James Rickard
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Comment by Ahmed
techy.Bytes
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Qwerk
Cinema Three
erm, it was an ok movie, loved the ending 'Caeser, you don't know shit' *bang*, bot besides that it was iffy.
Dunno what I disliked about it, it was just kind of empty.
Comment by D. Armenta
The Florida Keys and Everglades
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Debate Fan
Comment by Bryn
Horrorphile
Armenta, yeah, definitely Hitchcockian moments ...
Comment by Lilla
Enviro Warrior
An Extra Ordinary Life
Dream Herald
...here's what happens now with me, after I read about such 'unique' films...
I go away and let all this wonderful information sink in.
Not sure I really like the whole ultra-violence thing, I let fate decide. What that means is that, if I am at the video store and this film title "jumps at me," I'll remember this (excuse me) '...rather excellent review,' and hire it out... but otherwise, it is not ...um... I don't really know what... for me to go and hunt it down.
I hope that makes some sense ... and proof that your eloquence has been most useful.
I am enjoying your reviews...
Lilla ...
Comment by Michaelie
Flick Wit
I haven't seen this, but I'm always intrigued by Gina Gershon's mouth! I liked her in Face/Off.
This movie interests me, mostly for Gershon, but I think I have avoided it because of Tilly. She really irritates me in all her mainstream stuff.
Michaelie
Comment by Bryn
Horrorphile
Michaelie, yes, that mouth!!! LOL ... She was good in Face/Off, true. Check out Prey for Rock'n'Roll though.
Comment by JohnDoe
Film & TV on DVD
Arguably the greatest of all the modern noirs and easily the best film by the Wachowski brothers...Gina is something very special too and Joe steals the show.