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Film & TV on DVD - John Doe Film News & Reviews

 
Greetings Film Fiends and welcome to John Doe's Film Blog. 30 years of dedicated celluloid obsession has meant that I have seen a few films. Drawing attention to some of the lesser discussed gems that I love. Cult classics, obscure curios and quality genre pictures. This blogs purpose is to translate some of my passion for these films and with luck, inspire you the reader to go check em out.

Bunny Lake is Missing (1965) - Trailer Included

November 16th 2009 00:00
Category: Crime, Thriller, Horror
A Motif of Madness


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Bunny Lake is Missing DVD-Available in the U.S

Director: Otto Preminger
Writers: John & Penelope Mortimer,
Starring: Laurence Olivier, Noel Coward, Carol Lynley, Keir Dullea


Bunny Lake is Missing is an unusual title for a very curious film. Coming near the end of Otto Preminger’s illustrious career there is a vitality to his creative manipulations that along with John Frankenheimer's Seconds predate the arthouse surrealism of David Lynch and other contemporaries.

Based on the mystery novel by Evelyn Piper, this is an ethereal atmosphere soaked and unnerving excursion into degrading sanity.

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Laurence Olivier questions Carol Lynley
Doting mummy Ann Lake (Carol Lynley) and her 4 year old daughter Bunny, have just recently moved to Britain from America and it is the first day at a new school for the little one. After dropping off her tike Ann goes about her day until it is time to retrieve her.

The problem is that upon arrival she soon discovers Bunny is nowhere to be found. There is no record of her existence. The school records reveal nothing and soon the police led by Superintendent Newhouse (Laurence Olivier) are called in on the suspected missing person.

Is Bunny lake missing? Is she just a figment of Ann’s imagination? John Doe is not revealing anything!

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Welcome to the Dollhouse Ann



John Doe says:

Right from the unforgettable Saul Bass opening credits (up there with his best) you know you are in for something that has taken care and consideration to create. Visually compelling and speckled with wry humor the film does dissolve with a leap of logic finale but that does not make what preceded contain any less cinematic brilliance.

There are elements of the Jodie Foster film Flightplan here, but it is Otto Preminger’s (Anatomy of a Murder, Advise and Consent, Laura) dedication to sustained suspense that refuses to yield the riddles “answer” until the final moments. The composition in certain shots is breathtaking in their subconscious menace, there is something daringly Hitchcockian to much of the films style. The musical score effectively illicits tension with subdued haunting tones and then restrained screeches of madness.

The script adaptation by John and Penelope Miller does not remain faithful to its source but instead uses it as a template to raise some very risqué concepts for the year 1965. There is a raw, matter of factness to many of the smaller revelations that unfold throughout the story and the characters are all given a subtext that is embraced by the cast.

As Ann, Carol Lynley (The Poseidon Adventure, The Night Stalker) plays on tragic fragility mixed with idyllic strength to draw us into her very personal crisis.

Laurence Olivier (Marathon Man, Slueth) makes holding the screen appear simple as the understanding detective handed a big question mark.

Keir Dullea (2001: A Space Odyssey, The Fox) plays Ann’s brother Steven with authority that convinces he is her rock, a safety net to all that might harm her.

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Noel Coward kidnaps the screen
Noel Coward (The Italian Job, Our Man in Havana) is nefariously lascivious as a Ann’s sexual predator neighbor and testament to his skills he can still make us laugh with his lude presence.

Martita Hunt (Great Expectations, The Unsinkable Molly Brown) is also memorable as the eccentric Mrs Ford.

John Doe only recently discovered this occasionally flawed but intriguing work of a master. There was an acute awareness of the films daring against convention attitude and almost experimental delivery. For those interested in the evolution of modern cinema this is an essential stepping stone that warrants cross examination.

NB* Joe Carnahan (Narc, Smokin Aces) is scheduled to release a remake in 2012.


Here is the original trailer for Bunny lake Is Missing care of TCM


Watch the first 10 minutes of Bunny Lake is Missing including the superb opening Credits with deliberate postbox framing.
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Comments
8 Comments. [ Add A Comment ]

Comment by Bryn

November 16th 2009 02:24
"The Zombies" ??

Comment by JohnDoe

November 16th 2009 02:48
Hi Bryn,

The Zombies are a band that was meant to be huge and this was a film that gave them exposure. They are a little Animalsesque (As in Eric Burdon & and there music features in the movie...obviously they only went on to become a cult band with a small following instead of a massive success.

Comment by Bryn

November 16th 2009 04:02
Yeah, I guessed it was them, just looked curious seeing the word The Zombies in a mid-60s movies title sequence ... I'm looking forward to tomorrow's session btw!

Comment by Matt Shea

November 18th 2009 05:40
JD - you've been digging up some interesting numbers recently and this is yet another I haven't seen. Great review and I'll be checking this out. Seconds is right up there as one of my favourite films BTW.

Comment by JohnDoe

March 4th 2010 20:40
Thanks Matt,

How under discussed is Frankenheimer's Seconds?

Bunny Lake is a little uneven and looses its way, but such an intriguing watch with certain scenes perfectly honed. Sure you will get something out of it...are you an Otto Preminger fan??

Comment by Matt Shea

March 8th 2010 05:35
JD - absolutely, I actually prefer Seconds to The Manchurian Candidate (gasp!) - I think it has aged much better.

Anatomy of a Murder is the only Preminger film I know well, although I caught Porgy and Bess many years ago. He's a filmmaker I need to polish up on, no doubt.

Comment by JohnDoe

March 11th 2010 16:22
Hi Matt,

My love for Candidate is very strong but Seconds is no less credible as Frankenheimer's masterwork.

Yes you do need to explore the work of Preminger. At his best he tackles important issues with cinematic flair and illicits superb performances from all his cast.

A good starting point is:

Laura (His masterwork IMO)
Advise and Consent
The Man with the Golden Arm
Angel Face

Comment by Matt Shea

March 12th 2010 02:05
Brilliant JD - appreciate this - thanks!

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