Butch Cassidy and the Sundance Kid (1969) - Trailer and Footage Included
October 1st 2008 00:40
Butch Cassidy and the Sundance Kid
My heart is still heavy with the passing of Paul Newman. There aren’t many others of his calibre, clout and compassion still left in Hollywood. By the end of the 60s his greatest performances were already behind him, but there’s something so darn special about Butch Cassidy and the Sundance Kid (1969), and it’s a movie I saw as a young lad (possibly during its re-release) when I really wanted to be a cowboy and I’d wear my papa’s handmade holsters (which never fit, of course) and occasionally got to play with his replica colt .45s (very heavy). My actor father supplied these to theatre and movie productions.
Butch Cassidy: "I have vision, and the rest of the world wears bifocals."
Robert Redford was 30-years-old, eleven years younger than Newman. He was at the start of his career and hungry like a horse. After watching the daily rushes producers panicked and warned director George Roy Hill not to give Redford too many close-ups (he was looking that good). But, the reality is, Redford and Newman could never out-class each other, they were two peas in a pod, they were a peanut butter and jelly sandwich, they were the icing on a fantastic Hollywood cake. The bad guys have never looked so good or acted so charming.
Sundance Kid: "Think ya used enough dynamite there, Butch?"
And it all happened. Well, so the history books tell us. In fact, much more is known about Cassidy and his infamous Hole in the Wall Gang (actually called The Wild Bunch, but Sam Peckinpah had already released his movie a few months earlier) than Sundance who came onto the scene later. The movie is about their last days together, when the Gang were doing their last train robberies and Cassidy’s position as leader was being challenged (mostly because he was enjoying too much time with the Kid doing their own heists).
Butch Cassidy: "If he'd just pay me what he's spending to make me stop robbing him, I'd stop robbing him."
A posse of bounty hunters was set after Cassidy and Sundance and so a brilliantly sustained half-hour pursuit takes Butch and the Kid across all manner of terrain as they try and work out how the posse is able to keep tracking them. Of course they do manage to elude them and manage to sneak in a little nooky at the local whorehouse, as well as enjoy a day’s reprieve at Etta’s pad, Sundance’s girlfriend played in a beautifully under-stated performance by Katharine Ross (in one of the movie’s three extended montage sequences Butch steals Etta early in the morning, while the Kid still slumbers, and takes her for a ride on the new-fangled bicycle invention as Burt Bacharach’s Raindrops Keep Fallin’ On My Head tinkles overhead, it’s an unashamedly self-conscious moment of pure romantic-comedy, the kind of cinematic indulgence that would never happen in a movie now; that despite its critics, it works a treat).
Butch Cassidy: "Kid, there's something I ought to tell you. I never shot anybody before."
Sundance Kid: "One hell of a time to tell me."
Director George Roy Hill, according to Newman in an interview he made in 1994, was a rare and true director whom would never bother actors when they were cooking, but was always there when an actor got into trouble and needed, well, direction. Hill’s total command of all aspects of filmmaking that need marrying together meant that the movie could never really fail. William Goldman’s excellent screenplay was originally much darker, but with Newman and Redford’s natural light-hearted chemistry and powerful charisma on board, Bacharach’s lilting score, Conrad Hall’s amazing cinematography, and Hill’s ability to coax the performances just a little, the result is a magnificent blend of breezy comedy and suede-headed drama, never too much of one or the other. It’s a very difficult combination to get just right (Clint Eastwood tried, but never really got it perfect, and George Clooney’s been trying hard). Butch Cassidy and the Sundance Kid is one of the very few that nails it.
Butch Cassidy: "Then you jump first."
Sundance Kid: "No, I said."
Butch Cassidy: "What's the matter with you?"
Sundance Kid: "I can't swim."
Butch Cassidy: "Are you crazy? The fall will probably kill you."
Of course, it’s the movie’s final ten or so minutes that are probably the most famous and poignant (although it must be said that the entire sequence is historically inaccurate, but hey, it plays out beautifully). It is this under-played, almost melancholic tone which cements the movie in such high regard. The outlaws have been hiding out in Bolivia. Etta has left them, because she can’t bare the idea of watching them die. And suddenly in the middle of a plaza while they sip beer, our anti-heroes are under fire. They take cover in a villa foyer, but not before they’ve each taken a bullet. The final image, a two-shot still that seeps into sepia-tone, then slowly pulls out to reveal the surrounding courtyard while an authoritive voice out of shot repeatedly shouts, “Fuego!” and the sound or hundreds of rifles echo out again and again.
Despite the audience’s understanding that Butch and Sundance were outlaws and had killed men, the ending of the movie is still viewed and accepted as a tragedy. It’s arguably one of the very finest and most moving endings to a Western ever filmed, and certainly ranks as one of the greatest Hollywood Western tableaus ever.
Butch Cassidy: "Is that what you call giving cover?"
Sundance Kid: "Is that what you call running? If I knew you were going to stroll ..."
Extra tidbits: Butch Cassidy’s real-life sister visited the set of the movie during the hilarious “fight” between Butch and Harvey Logan (played by Ted Cassidy, famous as Lurch in The Addams Family) and remarked at how accurate the movie was an how spot-on Newman was as Butch.
Steve McQueen was originally cast as Sundance. This was when the movie was originally called The Sundance Kid and Butch Cassidy, but McQueen pulled out, and because Redford wasn’t the superstar that Newman was, the title was changed accordingly.
Twentieth Century-Fox made a prequel in 1979 called Butch and Cassidy: The Early Years, starring Tom Berenger as Butch and William Katt as Sundance. I saw it as a boy at the movies. From memory it’s certainly not in the same class and can’t really be compared, but I’m sure it was unfairly criticized, and could be enjoyed as a Saturday matinee (with raindrops fallin’ outside) if you found yourself with nothing better to do.
Contentious after-thought: Now, dare I even suggest the idea, but while I was watching Butch Cassidy and the Sundance Kid with my wife (who’d never seen it), and there’s the funny scene where the Kid and Butch are on the whorehouse balcony watching the sheriff rally the locals together to hunt the outlaws down, I suddenly heard Brad Pitt speaking Redford’s lines. As Newman and Redford provided the rapport, it dawned on me that a Hollywood remake is begging to be made with Pitt as Sundance and George Clooney as Butch. I realize I’m playing Devil’s advocate here because there is no way in Hell any remake could ever hope to re-capture the magic of the original, but hey, I’ll eat my Stetson if Pitt and Clooney haven’t already discussed it as a project.
Here's the original trailer:
Here's the irrepressible Butch in one of the movie's many great scenes:
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Comment by Raquelle
Cinema Voir
I have a signed Butch Cassidy and Sundance Kid photo by Bob and Paul, and it is one bit of memorabilia I hold very dearly.
Here's to Burt, for a brilliant score!
Cheers
Comment by James Rickard
unlucky_ fishermen.com
Angling Fish
Comment by Bryn
Horrorphile
My folks used to sing Raindrops around the house quite a bit I remember ...
Comment by Bryn
Horrorphile
Comment by Damo
For the Sake of Argument
My Apologetics
Then they can remake Bladerunned.
Clooney as Deckard and Pitt as Batey.
Better to leave sleeping classics lie.
Great film.
Rules in a knife fight?
You cannot fault it.
The B&S Early Days was a good film but not a great film. Worth seeing on a Saturday Night as a Prequel to The Good The Bad and the Ugly but never as the main feature.
Comment by Lady Henrietta Muddling
Potter in a Harry
His book Adventures in the Screen Trade would have to be compulsory reading for anyone wishing to write a screenplay. I might even read it one day myself.
It was pretty hard to write much of a comment. You covered everything that needed to be said.
Comment by Bryn
Horrorphile
yeah, I'm totally with you on that first point, but I couldn't resist mentioning it, simply because it may still happen, whether we like it or not ... Pitt will still be enjoying the residuals of having played Jesse James, and Clooney would be champing at the bit to be able to play the wise-cracking, romantic-at-heart Cassidy. But yeah, I'm with you ...
Lady David, yes, Goldman's book is a great read indeed with muchos insight. His anecdotes in the '94 interview on the DVD are great too. He considers the movie one of the highlights of writing for the screen. Cheers for the props too! Nice change writing about a classic non-horror
Comment by JohnDoe
Film & TV on DVD
As always stellar work!
You know how much I love this film and your review has done it justice...Damn you i couldn't have done it better myself
Now just ask me to stay, then I can leave peacefully.
Comment by Bryn
Horrorphile
Comment by JohnDoe
Film & TV on DVD
Comment by Lady Henrietta Muddling
Potter in a Harry
Comment by Bryn
Horrorphile