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Film & TV on DVD - John Doe News & Reviews

 
Greetings Film Fiends and welcome to John Doe's Film Blog. 30 years of dedicated celluloid obsession has meant that I have seen a few films. Drawing attention to some of the lesser discussed gems that I love. Cult classics, obscure curios and quality genre pictures. This blogs purpose is to translate some of my passion for these films and with luck, inspire you the reader to go check em out.
Deity Sanctioned Power Corrupts the Kindest Beauty


name of the rose dvd
DVD Available in Australia
Director:Jean-Jacques Annaud
Starring:Sean Connery, Christian Slater, Ron Perlman, F Murray Abraham, William Hickey



“Laughter kills fear, and without fear there can be no faith because without fear of the Devil, there is no more need of God.”Jorge De Burgos

Der Name Der Rose, is a French/Italian production based on the novel by Umberto Eco. It’s a murder mystery set within the confines of a 13th century monastery that contemplates the eternal riddle of religions essential theology of absolute faith. The quest for knowledge means every answer will invariably lead to a question, there is no absolute wisdom. If the only truth can be found in god’s words, does this mean that evil thrives in the open mind?

Name of the rose sean connery
The Monastery has much to tell



The Monks of this isolated abbey have shed their individualism, painfully devoted in their overwhelming conviction to the gospel. When untimely death strikes one of the order the Anti Christ is the preordained conspirator.
William of Baskerville - "The only evidence I see of the antichrist here is everyones desire to see him at work."

Against the grain, William of Baskerville (Sean Connery) and his young acolyte Adso of Melk (Christian Slater) arrive to this sanctuary of intense worship. Just in time to witness and investigate the aftermath of the suspected murder.
Adso of Melk - "Having reached the end of my poor sinner's life, my hair now white, I prepare to leave on this parchment my testimony as to the wondrous and terrible events that I witnessed in my youth, towards the end of the year of our Lord 1327. May God grant me the wisdom and grace to be the faithful chronicler of the happenings that took place in a remote abbey in the dark north of Italy. An abbey whose name it seems, even now, pious and prudent to omit."

A voracious thinker, William eagerly contemplates the clues with his eyes and ears. The puzzle is afoot and irresistible to his mind. This is a studied man with astute Sherlock Holmes like deductive abilities
William of Baskerville - "My dear Adso, we must not allow ourselves to be influenced by irrational rumors of the Antichrist, hmm? Let us instead exercise our brains and try to solve this tantalizing conundrum."

The innocent, coming of age Adso serves as our narrator, standing humble in the haloed walls with curiosity about its committed occupants. The eyes of youth are shocked by the absolute poverty that lies just outside the brick and mortar compound.
William of Baskerville - "Have you ever known a place where God WOULD have felt at home?"

So it is in this medieval age that the secret peccadilloes and sins of inhabitants will be prodded by an aging sleuth while temptations of the flesh and fear of the unexplained will test the uninitiated to life.
William of Baskerville - "We are very fortunate to have such snowy ground here. It is often the parchment on which the criminal unwittingly writes his autograph. Now, what do you read from these footprints here?"

name of the rose sean connery christain slater
Light and dark. Dark and light.


John Doe says:
A moody, velvet brimstone atmosphere carefully shuffles the corridors. The tale of intrigue thickens with excitement and suspense. Every face challenging conformity within a place of insatiable servitude to the lord, The Name of the Rose is about many things.

It’s about intellectual, spiritual and physical awakening, about sacrifice and the responsibility of wisdom and faith. It’s also much more, depending on how deep you want to gaze into its tapestry of eloquent scripting and enlightening shadowed corridors cinematography.

Director Jean-Jacques Annaud (The Bear, Enemy at the Gates, Two Brothers) is all class, he manages an ethereal majesty that permeates from this historically minded mix of truth and fiction. Impressively incorporating sprinkles of comedy, shrouded in unspoken danger while achieving moments of horror within a thriller that stays steady at all times.

The sound design skilfully uses silence to its advantage and adds to placing the audience within the solemn location. The scenes in the labyrinth library are brilliantly staged and best of all engage the emotions as well as mind.

The screenplay is a deft concoction that combines elements of the traditional who-dunit motif with serious history about the dreaded dark ages. Straying from the source in certain places there is no denying the tone and questions raised are inline with the original author’s intent.

Many of the cast playing monks in the film were cast because of their, how can I put it delicately, ugliness. Each face is unique and scorches on the psyche making it easy to tell whose who, even in full garb.

It’s hard to believe but at this stage in his career Sean Connery (The Hill, The Offence, From Russia With Love) was not considered a bankable star and so maybe had something to prove with this role. Regardless, his performance is noticeably impressive showing cracks of vulnerability and even fear while maintain the stoic charisma he seems to achieve effortlessly. Though buying the former James Bond to a vow of celibacy takes time to accept.

Christian Slater (Heathers, Pump Up The Volume, Very Bad Things, True Romance) was just 15 when he broke his big screen cherry in this film with a nude scene. Sure his mother was casting Director but his talent is what makes his part completely convincing. Few of the Jack Nicholson facial ticks come into play and his wide eyed amazement and confusion at the world has a genuine allure.

Ron Perlman (City of Lost Children) as the symbolically deformed Salvatore breaks the heart despite the external appearances.

name of the rose ron pearlman
I'll give you Hellboy!


William Hickey (Prizzi's Honor, Mikey and Nickey) as the aging friend of Connery’s character is poignant and frightening in equal measure.

F Murray Abraham (Amadeus) delivers the wrath we expect as a deluded Inquisitor whose corrupt power is a frenzy of tainted morality.

After not seeing this film for a good 15 years John Doe was blown away by how much power hides inside the exciting plot. What was remembered as a damn good yarn, is now something much more important. Sure it’s still exhilarating and thoughtful, but the provocative answers the film seeks to ponder just feel more important now.

The Name of the Rose - A compilation of memorable bytes that may spoil surprises for those who have not seen it.


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The People Mover that Did

Taking of Pelham 1 2 3 DVD
DVD Available in Australia
Director: Joseph Sargent
Starring: Robert Shaw, Walter Matthau, Martin Balsam, Hector Elizondo, Lee Wallace, Jerry Stiller, Earl Hindman

“We’re going to kill one passenger a minute until New York City pays us a million dollars.”Mr Blue

Back in 1974 this mercilessly tight cat and mouse story of a New York Subway train being hijacked was a groundbreaking and bold action thriller. Seen by many as the logical progression towards Die Hard and its slew of reworks, the recent announcement of another remake (There was also TV movie in the 90’s) starring Denzel Washington and John Travolta has not met with much joy from lovers of this original passenger train of terror.
“Oh, come on. If I've got to watch my language just because they let a few broads in, I'm going to quit. How the hell can you run a goddamn railroad without swearing?”Caz Dolowicz

The story is economic in its contrivance; four colour coded terrorists bring the notoriously crowded NYC underground to a standstill by taking a carriage of commuter’s hostage.
“Excuse me, do you people still execute in this state?”Mr Blue

Led by the immovable steel girder named Mr Blue (Robert Shaw) they are armed with automatic weapons and have no reservations about killing innocent people. Disgruntled rail worker Mr Green (Martin Blasam) drives the train and brings knowledge of the network. Mr Brown (Earl Hindeman) is a professional who loyally follows orders.
“Now, then, ladies and gentlemen, do you see this gun? It fires 750 rounds of 9-millimeter ammunition per minute. In other words, if all of you simultaneously were to rush me, not a single one of you would get any closer than you are right now. I do hope I've made myself understood.”Mr Blue

The wild card of the pack is Mr Grey (Hector Elizondro) an uninhibited assassin so psychotic that the mob had to let him go, an addiction to the thrill of the kill makes him unpredictable.

In charge of saving lives and ending the siege is Lt. Zachary 'Z' Garber (Walter Matthau) an unflappable Transit cop who must out guess the crooks and neutralise the volatile situation. There is no handbook for this unprecedented event and so Garber’s intelligence and restraint goes against authorities eager to escalate the carnage….its going to be a long day.
“Be reasonable, will you? We're trying to cooperate with you but we can't do anything if you don't give us enough time to work with.”Lt Garber

taking of pelham poster
No ticket?


John Doe Says:
Smart and driven by a gritty realism of procedure and consequence, The Taking of Pelham 1,2,3 is riveting cinema that has never lost its impact. Suspenseful and exciting the superb performances from the cast serve to realise the heightened chaos, ironing out the few minor flaws.

Directed with deliberate velocity by Joseph Sargent the chess game premise seldom slips. Opening with the siege, echoing films like The French Connection and Dog Day Afternoon there is an inescapable authenticity of tone. The claustrophobic tunnels of a decommissioned line in Brooklyn double for the NYC subway Pelham line and is shot to harness the atmosphere of the underground.

The convincing screenplay leaves little breathing room. The theme score by David Shire is tough and dangerous, the music is sparse, tension is omnipresent and the character dialogue exchanges seem genuine with just enough theatrics to ensure the stories potential entertains and never becomes dour. There is a dark, socially critical air that laces much of the supporting players lines to comment on the “times that were a change’in”

The menacing Robert Shaw (Jaws, From Russia With Love, A Man For All Seasons) as the steel eyed ex mercenary with an air tight plan relishes the unnerving potential of the character. His silences scream disciplined rage, his cues matter of fact, always on a tight leash and never going the flamboyant route of contemporary villainy.

Walter Matthau (Charley Varrick, The Odd Couple, Fail Safe, Bigger than Life) plays against type, still amusing with some of his character moments. He is easy to believe as a haggard lawman who seldom lets his pulse quicken. The first time we seem him he is fast a sleep in his chair at work, when he awakens little excites him, so skillful is Matthau as a performer that he still exudes a frantic energy that is contained within his shell.

The rest of the roles are packed with richness and obvious talent striving to breakout. Hector Elizondo (Hill St Blues, The Fan) and veteran Martin Balsam (Psycho, Cape Fear, Catch 22) add much to proceedings.

John Doe has seen this films many times before, yet with each viewing it still holds his unwavering gaze. What could have been mindless or over the top is curtailed into classic storytelling told with cinematic realism. First time through you don’t know who will live or die, whether Matthau’s lethargic demeanour can save the passengers lives. Taking of Pelham is a nail biter that never seems to punctuate itself or worry with superfluous action, its about flanking the enemy, out thinking the other man. This is the stuff that all visceral and intelligent popcorn entertainment should aspire too.


The tough minded retro trailer for The Taking of Pelham One, Two, Three


The opening credits with David Shire's now classic score

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Truth or Dare, Come Inside Suburbia

blue velvet dvd
Blue Velvet DVD available in Australia
Writer/Director: David Lynch
Starring: Dennis Hopper, Isabella Rossellini, Laura Dern, Kyle MacLachlan, Dean Stockwell, Brad Dourif, Hope Lange, George Dickerson

“See that clock on the wall? In five minutes you are not going to believe what I've told you.” Jeffrey Beaumont

Bryn over at Horrorphile.net and John Doe have often discussed how they have omitted reviews for many of their favourite films in favour of lesser recognised work. So it is that until now Johnny has not actually done a review for a David Lynch work. A Director of profound importance, whose influence over cinema and this reviewer is monumental.

“I had a dream. In fact, it was on the night I met you. In the dream, there was our world, and the world was dark because there weren't any robins and the robins represented love. And for the longest time, there was this darkness. And all of a sudden, thousands of robins were set free and they flew down and brought this blinding light of love. And it seemed that love would make any difference, and it did. So, I guess it means that there is trouble until the robins come.”Sandy Williams

Manic energy, suspense, horror and black humour, Blue Velvet was unlike anything to confront audiences at the time of release. Still a staggering work of imaginative power David Lynch’s trademarks are all present to see in this early oeuvre.
“I have a part of you with me. You put your disease in me. It helps me. It makes me strong.”Dorothy Vallens

“Maaaggggiic moments are made of this” establishing its setting in the opening frames we journey through white picket fences, lemonade stalls and smiling faces. Cutting across the landscape is Jeffrey Beaumont (Kyle MacLachlan), a handsome young man who wanders into an empty field and makes a gruesome discovery. A severed human ear sits within the tall blades of glass.
“That's a human ear all right.”Detective Williams

Curiosity fuels the quest for his own rite of passage, Jeffrey is soon plummeting beyond logic to search for answers to the riddle of the amputated organ. He is Alice going down a rabbit hole into an underworld of diabolical intent.
“I'm seeing something that was always hidden. I'm in the middle of a mystery and it's all secret.”Jeffrey Beaumont

Deadly, erotic and possibly fatal, as he falls deeper he drags the innocent Sandy Williams (Laura Dern) into his mission. Encountering a sadistic criminal named Frank Booth (Dennis Hopper), the manipulated object of violent lust Dorothy Vallen (Isabella Rossellini) and a cruel universe that we all prey is unreal.
“Baby wants to fuck! Baby wants to fuck Blue Velvet!” Frank Booth

Blue Velvet
Warning: Enter at your own risk


John Doe says:
Surreal and mysterious, Blue Velvet is David Lynch’s most coherent dream and like Elephant Man is blessed with a linear plot. Going underground, burrowing beneath an idyllic middle American town to reveal dark secrets that remain behind closed doors.

A warped excursion inside Americana, the haunting imagery is harnessed in the cinematographers lens then elevated through cunning sound design, a vibrant soundtrack and unhinged performances.

The screenplay and visuals are dense in symbolic gestures and riddled with purposeful character moments. Lacing much of its violence with a comedic edge that rather than smooth it out actually cuts like a serial killers cut throat razor, you hate to enjoy its decadent intent that much. But you do.

Blue Velvet exists in an uncomfortable melancholy that refuses to judge its inhabitants, akin to the mind of mad genius, this is high art merged with exploitive noir.

Blue velvet dennis hopper
Dennis Hopper at full tilt boogie
Leading the charge is a hot wired and short circuiting Dennis Hopper (Easy Rider, My American Friend, Apocalypse Now) who lodges what many consider the performance of his career. Taking the frightening part of Frank Booth beyond what’s written down, his nitro-inhaling, sexually ferocious rapemeister is unforgettable. Cleverly his character punctuates every sentence with the F-Bomb while no other actor utters the word.

Veteran performer Dean Stockwell (Paris Texas, To live and Die in LA, Rapture) blows any fond memories of his part as Al in Quantum Leap from memory. As Ben this one time child actor is gifted with what is arguably the films most memorable scene.

Regular Lynch muse Laura Dern (Wild at Heart, Novocaine) is her usual stiff self, but it works for her part as a naďve lynchpin (you like?) to Kyle MacLachlan’s (Twin Peaks, The Hidden, Dune) hapless and inquisitive Jeffrey.

Isabella Rossellini (Wild at Heart, The Funeral, Roger Dodger) proves why she was such an object of glamorous lust at the time and even as a victim she brings an much needed class to her tortured soul.

John Doe finds it hard to not just go on and on about this film, but luckily for those who haven’t seen it he refuses to analyze its deeper meaning. That's his gift of love to you, leaving it open to personal interpretation. Hopefully JD hasn’t revealed anymore about this masterpiece than is necessary to let you know that everybody must see this film at least once in their life.

Blue Velvet Trailer



Roy Orbison’s “In Dreams”,…”The candy coloured clown they call the sandman”

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The Killers (1946) and (1964)

April 13th 2008 00:01
The Companions of Death


The Killers DVD
A rebadged edition of this U.S release is now available in Australia

[ Click here to read more ]
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Bushido Redemption


The Yakuza DVD
DVD Available in Australia

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I fought the law and the...law lost

Michael Clayton poster
Michael Clayton

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Whatever Happened To Baby Jane


Whatever Happened to Baby Jane DVD
DVD Available in Australia

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Heat (1995) - Footage Included

January 2nd 2008 00:01
Explosive motivations in the mirror

heat DVD
Heat DVD Cover- Available in Australia
Writer/Director: Michael Mann
[ Click here to read more ]
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Dusty Noir Enlightenment

Coming Soon: To be released on January 24th 2008
[ Click here to read more ]
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The Lookout (2007) - Trailer Included

November 30th 2007 00:00
The Heist of Life


The Lookout Poster
No Australian Release date at the time of writing this review
Writer/Director: Scott Frank
[ Click here to read more ]
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Peeping Tom (1960) - Trailer Included

October 29th 2007 00:00
The Voyeuristic Death of Artistic Compulsion


Peeping Tom DVD
Peeping Tom available on DVD in Australia
Director:Michael Powell
[ Click here to read more ]
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Dog Day Afternoon DVD
2 Disc Special Edition available in Australia
Director:Sidney Lumet
Writer:Frank Pierson
Starring:Al Pacino, John Cazale, Charles Durning

[ Click here to read more ]
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Fear, corruption and sex - Brando goes down South.

the Chase Poster
Poster for The Chase - Available on DVD in Australia

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Shoot Em Up (2007) - Trailer Included

October 3rd 2007 02:37
A fistful of flesh, bullets bang and loaded words.
Fearing that John Doe’s blog is turning into a travel diary, it’s time to review a film that he saw in New York City’s Times Square at the famed Empire AMC Multiplex.

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