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Film & TV on DVD - John Doe News & Reviews

 
Greetings Film Fiends and welcome to John Doe's Film Blog. 30 years of dedicated celluloid obsession has meant that I have seen a few films. Drawing attention to some of the lesser discussed gems that I love. Cult classics, obscure curios and quality genre pictures. This blogs purpose is to translate some of my passion for these films and with luck, inspire you the reader to go check em out.

Juno (2008) - Trailer Included

February 13th 2008 00:01
Juno's Arc

Juno Poster
Juno Poster

Director;Jason Reitman
Writer; Diablo Cody
Starring;Ellen Page, Michael Cera, Jason Bateman, J K Simmons, Emily Perkins, Jennifer Garner



“Yeah, I'm a legend. You know, they call me the cautionary whale.” - Juno

Receiving an avalanche of awards show media praise, Juno is a multi nominated cool jewel Dramedy with an uncharacteristically optimistic heart. Teen Pregnancy, human frailty and making the best of life’s imperfection, the film is like a gentler Todd Solondz mutated into a Wes Anderson philosophy.
“You should've gone to China, you know, 'cause I hear they give away babies like free iPods. You know, they pretty much just put them in those t-shirt guns and shoot them out at sporting events.” - Juno

Named after the title character, Juno MacGuff (Ellen Page) is an intelligent, experimental 16 year old girl who gets herself pregnant as a result of bored curiosity. The owner of the sperm is the lovable dweeb Paulie Bleeker (Michael Cera), neither are ready for a decision of this magnitude.
“That ain't no etch-a-sketch. This is one doodle that can't be un-did, homeskillet.” - Rollo

The logical solution seems to be adoption, with that the mischievous smiles and coming of age dramatics enters their first trimester.
“I'm going to give it up for adoption and I already found the perfect couple, they're going to pay for the medical expenses and everything. And what in 30 odd weeks we can just pretend that this never happened.” - Juno


Juno ellen page
Now you saw what I can do with candy, so let me make the decisions.



John Doe says:
Funny but with that necessary dramatic weight to compel thought and invoke interest, Juno is another unjudging social observation tempered with humour from Jason Reitman, the director of Thank You For Smoking.

Juno scribe Writer Diablo Cody learned her craft as a sex industry blogger with “The Pussy Ranch”, a tell-all-day-in-the-life diary of a stripper. From a singular perspective her screenplay is paced with a melodic rhythm that keenly serves up quirky character moments. Dialogue that instantly rewards is the glue that forms the stories omnipresent inner substance.

Juno Diablo Cody
Writer Diablo Cody


The off beat voices of the soundtrack add an indie sunflower atmosphere that works well with the intentional colours in the frame.

Whenever sweet charm threatens to weep into saccharine revulsion the wit and a cynical awareness of reality rescues the films fate. All the parts are appropriately developed to serve there purpose on paper and then are lifted with some superb performances from the cast.

Ellen Page backs up the promise of Hard Candy with another knowing selection of mannerisms that make Juno flawed but understood. Believably mature beyond her years yet still retaining a childish glow.

Michael Cera (Arrested Development, Superbad) as the boyfiend proves again his talent as a loser straight man comic garnering empathetic laughs without audience superiority.

Having recently revisited the vile pleasures of Oz to see J K Simmons (Spiderman) as dear old dad McGuff maybe added extra bite to the roll with the punches father figure.

Jason Bateman’s commercially trapped muso adds up to a double dose of Arrested Development quality.

Managing to avoid provocation, still John Doe found the film a pleasurable and balanced fable of modern life. Juno’s sincere intentions win over, maybe it’s because what many call strange and peculiar translates to interesting cinema a weirdo like JD can relate too. Usually more inclined towards darker mysteries when fractured and crippled personalities come to screen in believable fiction it’s reassuring to not be alone in the way we view the irony in small tragedies of the world.


Watch the Juno Trailer
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Dog Day Afternoon DVD
2 Disc Special Edition available in Australia
Director:Sidney Lumet
Writer:Frank Pierson
Starring:Al Pacino, John Cazale, Charles Durning


“No, I don't want to be paid, I don't need to be paid. Look, I'm here with my partner and nine other people, see. And we're dying, man. You know? You're going to see our brains on the sidewalk, they're going to spill our guts out. Now are you going to show that on television? Have all your housewives look at that? Instead of As The World Turns? I mean what do you got for me? I want something for that.”Sonny


Based on a true story, Dog Day Afternoon is cinema verite that lets you invest in the characters because of an unblinking fly on the wall reality. This crackling bank robbery thriller with a dramatic back hander is the stuff of legend, to be discussed and dissected.

It’s looks like a typical summers day in New York City 1972, as the camera gives us a tour of the city that ends in Brooklyn when we meet Sonny (Al Pacino) and Sal (John Cazale).
“Uh, no. Doing what? You know if you want a job you've got to be a member of a union. See, and if you got no union card you don't get a job.”Sonny

Screwed by the system and struggling they have decided to rob a bank in broad daylight. Sonny is the kinetic man with the plan. Sal is the volatile ingredient required to make sure the hostages take notice.

As the police surround the area and the news crews turn up a media frenzy erupts. The captured bank employees and customers begin to see that they may get out alive.
“At the airport. We get on the plane, check it out, and if it's all okay we'll send them out. Except one.” - Sonny

As the day progresses the two gentle meaning crooks nervous energy rises. Sonny talks to the police, the media and his captives as he tries to survive, but nobody could see where this perspiring tension was going to end.
“So what country do you want to go to?” - Sonny


Dog Day Afternoon Al Pacino
'Attica, Attica, Attica, Attica'


John Doe says:
As the vice slowly gets turned and the automatic weapon has its safety switched off this creatively engineered story drags you into its gritty realism dowsed in an atmosphere of claustrophobic suspense.

Observant and comedic at times, the man with his hands on the ratchet is Director Sidney Lumet who caresses us through the powerful drama with dashes of blue black real life absurdity.

Air tight execution means that the sincere attention to detail just pulls you in further. The long silent pauses benefit from a lack of any background music other than what is in the frame. The viewer is allowed to subjectively perceive the sometimes improvised moments that come out of Frank Pierson’s (Cool Hand Luke, The Anderson Tapes) Oscar winning screenplay.

The documentary cinematography brings out the carefully tapered performances that unconditionally convince. Edited to an organic rhythmn as the seconds tick away the complex and involving lead characters gain a hyper real honesty.

Al Pacino had already created unforgettable characters as a young Michael Corleone, and in uncorruptable cop Frank Serpico when he took on the part of Sonny. His dynamic inhibition free portrayals that fearlessly remain morally conflicted are his best and in Director Sidney Lumet’s Dog Day Afternoon his performance confirms his reputation in the 70’s.

Unfaltering, John Cazale had such a tragically short career and life, but what a resume. If your only going to star in 5 feature films let them be Francis Ford Coppolla’s The Godfather I & II, The Conversation, Michael Cimino’s the Deer Hunter and Sidney Lumet’s Dog Day Afternoon!

Al Pacino has never been better as a tightly compressed panther inverted by Cazales jittery hyena with an itchy trigger finger and together they are combustible on screen.

This is a film where John Doe struggles to breathe as the oxygen is taken from his lungs with each passing tick of the clock. The acting is free and loose yet deliberate and everything around it follows suit. Dog day Afternoon matches any thriller of ever made because it captures the one thing special effects can never do, intellectual gut emotions that is true.


Watch the Trailer


Heres a heated scene from the film
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