Read + Write + Report
Home | Start a blog | About Orble | FAQ | Blogs | Writers | My Orble | Login

Film & TV on DVD - John Doe News & Reviews

 
Greetings Film Fiends and welcome to John Doe's Film Blog. 30 years of dedicated celluloid obsession has meant that I have seen a few films. Drawing attention to some of the lesser discussed gems that I love. Cult classics, obscure curios and quality genre pictures. This blogs purpose is to translate some of my passion for these films and with luck, inspire you the reader to go check em out.
The Brundle Fly enters an Alien Nation to transform into Enemy Mine.


District 9 poster, alien invasion, science fiction, peter jackson
District 9 Poster

Director: Neill Blomkamp
Writer: Neill Blomkamp & Terri Tachell
Starring: Sharlto Copley, Nathalie Boltt, Willam Allen Young, Jason Cope


"When dealing with aliens, try to be polite, but firm. And always remember that a smile is cheaper than a bullet." - MNU Annoucement

Dark and witty, District 9 lovingly salutes the films of Sci-fi past while retaining a fresh originality. Avoiding traditional beats, the character driven work is ripe in social commentary. Brutal, invigorating and decidedly ‘real” when viewing, this is an exciting, emotional and suspenseful sci-fi horror experience.

Trying to remain spoiler free - In 1982 an Alien race was stranded on earth. 28 years later the “Zoidberg” (Futurama) like arthropod E.T’s have learnt the concept of currency, communication and oppression. Imprisoned in a refugee camp known as “District 9” they are forced to scavenge and steal for sustenance and survival with a predilection for cat foot and rubber tyres as their primary source of nourishment.

district 9, wikus, alien invasion, sci fi film, peter jackson, neill bompkaff
Wikus is on a quest to find his missing contact lens.
This mockumentary however is not about the Extraterrestrials “Prawns”; instead it focuses on the fate of one man, Wikus van de Merwe (Sharlto Copley). A field operative for corporate military contractors MNU (Multinational United), he is a meek, dolt who is neither a hero nor particularly clever.
"Get your fokkin' tentacle out of my face!" - Wikus

Promoted beyond his abilities, Wikus is placed in charge of an operation that will relocate the 1.8 million crustaceans’ miles outside of Johannesburg to a new detention centre, “District 10”. A diplomat, he understands the alien language and must notify them of imminent eviction, a concept that they do not fully comprehend.
"Could you go a bit slower with the clicks there, it sounded like you said *three years*... " - Wikus

Along with serving legal documents, Wikus is also searching for any weaponry or new technology that may be hidden inside the shanty town. It is this second mission directive that leads to Wikus becoming a marked man, hunted and exploited by his own species and forced to hide within the alien colony.

district 9, alien invasion, peter jackson, sci fi films
Excuse me Mr Goldblum, we want you out of here now Bug Boy!.



John Doe says:
First time Director Neill Blomkamp’s expansion on his 2005 short film Alive in Joberg, opts for an angle which effectively renders most previous alien invasion movie plots as redundant. The 29 year old, South African born filmmaker draws on the darker side of human prejudice and the corrupted intentions that he witnessed during years of Apartheid.

The mockumentary style helps us believe what we are seeing, and the V like shots of the disabled mothership over Johannesburg immediately carries weight. This style of filmmaking also allows the script to avoid heavy exposition.

district 9, wickus, peter jackson, science fiction film, sci fi horror.
Let me outta here! I'm not an animal I am a human being!
We only see and are told what we need to feel the power of Wikus’ tragic arc. Often a single line or shot reveals answers to several plot riddles. A great example of this is a casual conversation between an Alien and his offspring where the child asks how many moons their home planet has and the father answer “seven”. This instantly explains the creature’s exoskeleton and ability to leap superhuman distances due to the reduced gravitational pull of Earth.

Shot for a mere $30 million dollars, which was provided by Peter Jackson once their joint “Halo” project fell through, the FX are astonishing. It is difficult to dissect where the artificial graphics begin and end. The aliens themselves are all CG yet testament to the skill of the animators they manage to make emotive insectoids without anthropomorphizing.

The “prawns” technology also showcases the imaginative visuals. Gravitational weapons, bioengineering fuel cells and pulse rifles all come equipped with something strikingly unique. Harking back to Jackson’s early splatterfests like Braindead, the carnage often demands buckets of blood and fleshy bits flying towards the camera, again with enthusiastic prowess.

As stated several times previously in this review, the core of the story is Wikus and first time feature actor Sharlto Copley (Alive in Joberg) elicits our empathy while the writers are steadfast in keeping his negative traits consistent. Representing a human full of frailties, he makes bad decisions, is often selfish, needy and even weak. Committed, he is never transformed into the traditional hero despite the films third act action frenzy.

Reinvigorating the genre right from the first frame where the U.F.O arrives, not as Hollywood cliché has us repeatedly believe in the U.S.A but instead South Africa. From there the films influences may be easy to spot but in the context of the story it all seems to be a strikingly new perspective. John Doe was immensely satisfied, drawn into this alternate history. In the end with the exception of a few minor quibbles District 9 is certainly a superior science fiction blockbuster that blends popcorn fun with a substance that triggers dissection upon cinema departure.

The original short film Alive in Joberg



112
Vote
   


The Adventures of a Galaxy Class Sequel Rebooted

star trek XI, enterprise 2009, star trek reboot, jj abrams star star trek, action adventure films, science fiction, gene rodenberry, captain kirk, spock
The New Bird Soars

Director: JJ Abrams
Writer: Roberto Orci & Alex Kurtzman
Starring: Leonard Nimoy, Winona Ryder, Chris Pine, Zachary Quinto, Eric Bana, Bruce Greenwood, Karl Urban, Zoe Saldana, Simon Pegg, John Cho, Anton Yelchin, Ben Cross

“I like this ship! It's exciting!” - Scotty

Before we begin a little perspective is required. John Doe needs to declare from the off set that he is a Trekkie, Trekker…a fan of Star Trek.

One need look no further than the fact he was married on the bridge of the U.S.S Enterprise in Vegas for evidence. (That he attended the Vermont premiere in his Starfleet uniform while others pointed and giggled speaks for itself) So this review can only be a little obsessive and written from a purist’s perspective. (Eg; He watches Star Wars for action adventure, what makes Trek unique is its moral and psychological quandaries.)


It was with trepidation and more than a little anxiety that JD approached JJ Abrams reboot of the Star Trek franchise. You see he is not a fan of Abrams style nor products (With the exception of Cloverfield). Well set his phasers to stunned, it’s with relief that Johnny must declare a level of satisfaction at what he saw, despite these previously held views.

Star Trek XI is an action adventure extravaganza that is rescued by an acute knowledge of Trek lore, making the whole experience one giant in-joke. The more you know about the Trek universe the funnier it is. (Think of the Battlestar Galactica rework but with an abundance of nods and winks to its predecessors).

In the spirit of remaining spoiler free (No small feat) this synopsis will be brief.

Star Trek XI is an origins story, a prequel that thanks to a time shift paradox allows for a reinvention of the existing storyline continuity we all know. Launching with James T Kirk as a juvenile delinquent in small town Iowa through to Starfleet academy where he meets his future crew members Spock, Uhura, Checkov and Bones. Circumstances and fate conspire swiftly and soon we are in outer space boldly going where no man has gone before, kind of.

star trek XI, star trek reboot, jj abrams star star trek, action adventure films, science fiction, gene rodenberry, captain kirk, spock
The new-old crew with eyebrows and jaw bones intact


John Doe says:
Ideally cast, with a dizzying self awareness of the established character dynamics and storylines this chapter toys with our existing geek boy analysis of the pop culture mythology behind the series. This is undoubtedly the best in the series since First Contact, which also manipulated the established timelines.

The dialogue and situations are hilarious, overflowing with hubris and sly nudges. The warp factor 8 pacing and “get out of jail free” structure leave little time for wider thoughts about the very pedestrian plotting.

You find yourself laughing out loud with more frequency than many other films purported to be in the comedy genre. Nare a minute goes by where there isn’t clever humor that substitutes for the much needed smarts. It is this intelligent manipulation of “what we know” that allowed Johnny to contradict his previously held view of what attracts him, to Trek. It’s forgivable to adopt the less thought provoking stance in the film because after all Kirk was always a womanizing man of action with a never say die attitude. Not as focused or intelligent as later master and commanders of the revered galaxy class starship.

This direction also facilitates that non devotees can enjoy the film on an alternate level, while still recognizing obvious gags and certainly getting wrapped up in the well executed combat scenes.

Deft cinematography and editing “mind meld” for quick recognition and provide a much needed sense of geography when in the vastness of space. Tracking shots executed with flair are given urgency and carefully paced cuts elevate emotion with equal aplomb.

Big on special FX in its opening minutes, thankfully as the running time progresses the CG is toned down to a point where it often appears to be retrograde in its visual style. Some shots of the Enterprise are only slightly more polished than those of its 1960’s inspiration. It’s a delicate balancing act between new millennium filmmaking technologies and nostalgia that works.

The crew are eerily on the nose and the producers even managed to find an actor more wooden than William Shatner in Chris Pine (Smokin’ Aces) for the almighty Captain. His bee stung lips and artificial, forced delivery reminiscent of Casper Van Dien in Starship Troopers. Reckless, horny and arrogant this is the young Kirk as was always inferred in the TV Show and films.

star trek XI, star trek reboot, jj abrams star star trek, action adventure films, science fiction, gene rodenberry, captain kirk, spock
A spicy little green number gets Kirked


As many have already stated, Zachary Quinto (Heroes) as a young Spock is almost too good. There are times where it is practically uncomfortable to watch him deliver memorable catch phrases like “fascinating”. Seeing him struggle with his duality as a half Human/Vulcan trapped in two cultures is again as we imagined. The rigid suppressing of human emotion, defaulting to logic during his early development works in juxtaposition to Kirk’s reckless behavior. This forms the crux of a rivalry between the two that is rich in understanding.

Equally realized is Karl Urban (Lord of The Rings) as Bones and Simon Pegg (Shaun of the Dead) as Scotty, both nailing the attitude of their original counterparts.

Zoe Saldana (Avatar) is eye candy as Uhura. Stealing all his scenes Anton Yelchin (Huff) makes the dialectically challenged Chekov into a giggle factory, without having to utter “Nuclear Wessels” , (to easy) though hearing “Wulcan” never loses its charm.

John Cho (Harold and Kumar) in the part of Sulu works keeping his fencing abilities intact but sadly the writers give him martial arts prowess playing into the racial stereotype that Gene Rodenberry always fought so vigorously against. (“Did I ever indicate I knew Kung Fu” - Futurama)

Eric Bana (Chopper) as the villain Nero does his best King Conan impersonation whenever seated on his throne.

Bruce Greenwood (Below) as Captain Pike and Winona Ryder (Heathers) as Spock mummy Amanda Grayson are welcome variations on the existing narrative.

Lastly there is the meeting of old and new in Leonard Nimoy as Spock. On a sentimental level welcome, but depressing to see him aged much like Harrison Ford in the latest Indy, sleepwalking through the role.

It is hard to fault without nit picking. The film is exciting, wise and enjoyably tackled with loving respect. The only real criticism comes from where the saga goes from here, because approaching the origin story in this way is a one trick pony. Will the next installment return to the socially minded intentions of creator Gene Rodenberry or become just another mindless science fiction ala Stargate?Afterall the U.S.S Enterprise is a scientific vessel built for exploration, not a military weapon.


Trailer for JJ Abrams Star Trek XI


The much discussed Enterprise versus Death Star video
168
Vote
   


Wall-E (2008) - Trailer Included

September 24th 2008 00:01
Open the Pod Bay Doors Wall-E, I want more


wall e poster
In Australian Cinemas Now

Writer/Director: Andrew Stanton
Music: Thomas Newman
Voices: Ben Burtt, Sigourney Weaver, Jeff Garlin, John Ratzenberger, Fred Willard, Elissa Knight

Pixar studios are the modern day pantheon of animated feature films. Ever since the success of their first full length cinema event Toy Story in 1995 they have continued to raise expectations of what can be achieved through the medium.

The production houses latest achievement, WALL-E shatters any doubts that a manufactured reality can connect on an emotional level with audiences.

A marvel of pure visual storytelling harking back to the days of cinemas golden age, there is a nickelodeon pantomime quality to the characters that reminds the viewer of iconic silent comedians like Charlie Chaplin and Buster Keaton. Setting this tone against a state of the art digital future makes for a charming and often dazzling cinema experience.

wall e eve pixar
Wall E, EVE and that Cube
Welcome to earth, circa 2800. Mankind has destroyed its natural resources, human life can no longer be sustained. Forcing a total evacuation of the planet we have lived in outer space for 700 years.

All that remains on the surface post apocalypse is one lone robot named WALL-E (an acronymn for Waste Allocation Load Lifter-Earth-class.). Isolated and lonely, he continues to complete his prime directive, of cleaning up the endless trash left behind. Building towering structures from the compost bricks he makes, the landscape is now filled with high rise garbage piles.

Developing a personality all his own, over time WALL-E’s daily routine includes collecting relics and curios that he places in his lunchbox. They are symbols that intrigue his mechanised yearning for understanding. Most importantly though Wall-E craves companionship, a friend, someone he can share his time.

While endlessly rewatching an old VHS tape of the film Hello Dolly he comes to comprehend the nature of love and also recognises his own lonely plight.

Then one day, without warning the earth begins to shake, a deafening noise is heard and then a spaceship lands. From it emerges a sole probe droid, EVE (Extraterrestial Vegetation Evaluator) and Wall-E is immediately infatuated.

wall e pixar science fiction
Wall E - The tin man with a heart


John Doe Says:
Poetically imaginative, by blending live action footage with CGI for the first time Pixar has created a work of artistic splendour. Delivering not only a touching and beautiful work, but also a classic science fiction film that can be mentioned in the same breath as the likes of Solaris and 2001 A Space Odyssey.

Written and Directed by Andrew Stanton (Finding Nemo) this romantic and tender film, bravely decides to make the opening 40 minutes virtually dialogue free. Endearing itself almost immediately with its simultaneous bleak scenario of optimism . Even later on the script remains sparse, preferring to show instead of tell its plot. This engages the mind, letting the audience assess and make conclusions on what they have seen. It also allows for a level of subtlety that has been missing from the genre till now.

The films messages are not rammed down your throat, the sentimentality is never vocalised and so we are left to take from it what we will. There is much about over reliance on technology, a disconnected society and the shape of things to come.

Due to the minamilist style of the action, Thomas Newman’s musical score has to lift us and carry us through, and it does. There is a magical nuance to the experience that comes largely down to his emotive melodic accompaniment. When combined with the ingenius sound FX that are pivotal to the miracle this film performs, it is the big budget experimental film.

wall e space pixar
Love across the universe
A bleak, alien atmosphere exudes from the opening shots and the cinematography throughout has a raw, naturalistic feel. (Something that many live action sci-fi’s fail at) The filmmakers actually consulted the Coen Brothers Director of Photography Roger Deakins, discussing the use of light and camera angle in order to shoot scenes to appear as if they were live action. The results are staggering, it takes all of about 5 minutes before you forget you are watching an artificial computer enhanced world.

Normally relying on big name stars to voice their characters, here Pixar has gone largely unknown save for the Axiom Ship’s voice of Sigorney Weaver (A clever twist on her parts in Galaxy Quest and Alien).

As Wall-E and numerous other robots we have Ben Burtt doing the vocals. Burtt is a highly respected and sought after sound FX guru who amongst others did sound design for the Indiana Jones and Star Wars films.

There is something very Joshua in War Games meets number 5 from Short Circuit about the leads mode of communication and it is endearing. There are also plenty of references to movies of the past, parallels between HAL in 2001 and AUTO being the most obvious. Keep your lens focused too because a lot of WALL-E’s toys in the background are easily recognisable. (Eg: Rex from Toy Story)

Going against the conventions in much the same way as E.T did for Alien invasion, here we have machines that act more human than the de-evolved humans. Instead of trying to take over the world or destroy it, the robots are our friends. JD is not a fan of animorphising in films, making animals talk, giving inanimate objects human characteristics, but here it won him over.

For John Doe this is Pixar’s greatest achievement (Though the Incredibles is still a close second), he cried, he laughed and he was awestruck. Tackling important issues with a steady hand, the way the story is told makes every scene intriguing. Piquing curiosity and inspiring thought, as the Hollywood Reporter said in their review, “the films one fault really is where does Pixar go from here after setting the bar so high.”

Truly a film for “Children of any age” the sense of wonderment and joy that comes from viewing is sublime.

It would be wrong to not also acknowledge the fabulous short “Presto” that precedes the film. A Looney Tune/Tex Avery style escapade of hijinx between a Magician and a bunny, JD was taken back to his childhood and giggled from the first frame to the last.


WALL-E Trailer


WALL-E trailer 2


Behind the scenes of WALL-E

145
Vote
   


The Crystals of Fond Memories Skeleton

Thank you to the wonderful people at Paramount Pictures who were nice enough to send me a red carpet ticket to the premiere. Seeing Cate Blanchett and Jack Thompson was a fun bonus
[ Click here to read more ]
157
Vote
   


From Kerr to Eternity

Deborah Kerr
Deborah Kerr blossoms

[ Click here to read more ]
170
Vote
   


Iron Man (2008) - Trailer Included

April 30th 2008 00:00
Ore Mined and Polished


The nice people at Paramount sent John Doe a press invite for Iron Man on Monday night and he just has to thank them for their kindness. It is admittedly fun seeing a super-hyped movie before the global release and geek boys spoil the surprises.
[ Click here to read more ]
162
Vote
   


Australian Cinema Releases: March 2008

As usual this is not a comprehensive list of all the films released in Aussie Cinemas this month. Instead it’s a compilation of big screen arrivals that have an element of interest for John Doe.
[ Click here to read more ]
92
Vote
   


Juno (2008) - Trailer Included

February 13th 2008 00:01
Juno's Arc

Juno Poster
Juno Poster

[ Click here to read more ]
155
Vote
   


Australian Cinema Releases - 2007


Inland Empire Poster
Poster for David Lynch's Latest

[ Click here to read more ]
92
Vote
   


A high powered box office death machine?

John Doe’s trip to the U.S of A was filled with visits to cinematic landmarks and the odd historical monument but the greatest pleasure derived from the journey was access to DVD’s currently unavailable in Australia. Due for a bigscreen release in Oz on November 1st JD was lucky enough to grab the 2 disc unrated Special Edition of Mr Tarantino’s latest schlock celluloid salute.
[ Click here to read more ]
87
Vote
   


Shoot Em Up (2007) - Trailer Included

October 3rd 2007 02:37
A fistful of flesh, bullets bang and loaded words.
Fearing that John Doe’s blog is turning into a travel diary, it’s time to review a film that he saw in New York City’s Times Square at the famed Empire AMC Multiplex.

[ Click here to read more ]
86
Vote
   


Casino Royale
In Cinemas

[ Click here to read more ]
123
Vote
   


The Descent: Released November 23


the Descent
Poster: In Cinemas November 23
Writer/Director: Neil Marshall
[ Click here to read more ]
79
Vote
   


A Scanner Darkly: In Cinemas November 30


[ Click here to read more ]
156
Vote
   


JohnDoe's Blogs

0 Vote(s)
0 Comment(s)
0 Post(s)
97 Vote(s)
0 Comment(s)
1 Post(s)
Moderated by JohnDoe
Copyright © 2006 2007 2008 On Topic Media PTY LTD. All Rights Reserved. Design by Vimu.com.
On Topic Media ZPages: Sydney |  Melbourne |  Brisbane |  London |  Birmingham |  Leeds     [ Advertise ] [ Contact Us ] [ Privacy Policy ]