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Film & TV on DVD - John Doe News & Reviews

 
Greetings Film Fiends and welcome to John Doe's Film Blog. 30 years of dedicated celluloid obsession has meant that I have seen a few films. Drawing attention to some of the lesser discussed gems that I love. Cult classics, obscure curios and quality genre pictures. This blogs purpose is to translate some of my passion for these films and with luck, inspire you the reader to go check em out.

The Mist (2007) - Trailer Included

April 22nd 2008 23:57
The Unseen Villiany Within

The mist Poster
The Mist is due to be released on DVD in Australia on the 19th of June
Writer/Director: Frank Darabont
Based on the Novella by: Stephen King
Starring: Thomas Jane, Marcia Gay Harden, William Sadler, Sam Witwer, Toby Jones, Laurie Holden, Andre Braugher, David Jensen


“As a species we're fundamentally insane. Put more than two of us in a room, we pick sides and start dreaming up ways to kill one another. Why do you think we invented politics and religion?” - Ollie

Stephen King is one of the most prolific writers of any era. He has penned in excess of 50 novels that have in turn been translated into more than 75 movies, TV Shows and mini series. Not counting his excursions into drama (Eg: Hearts in Atlantis, Stand By Me) most of his Horror/Thrillers have been mediocre at best. There have been three cinema adaptations that are masterpieces, Stanley Kubrick’s The Shining, David Cronenberg’s The Dead Zone and Brian De Palma’s Carrie. Several mediocre efforts that hold some merit like John Carpenter's Christine, Rob Reiner’s Misery and Bryan Singer’s Apt Pupil. For the most part sadly the majority of celluloid excursions have wasted opportunities and ended up sub par or worse as downright trash.

Hitting cinemas last year, The Mist is a supernatural horror film that can proudly become the fourth exercise in terror to be confidently deemed a cinema gem. Based on a novella from The Skeleton Crew it’s taut, disturbing and painfully clever. This is a journey into nerve wracking trembles spearheaded by humanity’s destructive reaction to fear of the unknown.
“I can't accept that. People are basically good; decent. My god, David, we're a civilized society.”Amanda

A lazy synopsises would be that it’s the Cube and Lord of the Flies cross bred or is that in bred with a traditional Twilight Zone monster movie. It’s not John Doe’s style to be lazy though, hence the 100 plus words before he even gets around to discussing the film in question. So here is a brief introduction to this tale that hopefully remains spoiler free.
“The end of times has come. Not in flames, but in mist.”Mrs Carmody

David Drayton (Thomas Jane) is a movie poster artist, as the camera focuses on him working the nods to the stories original author and the tone of the film are immediately present. David is presently painting illustrating a film version of the Gun Slinger, part of King’s Dark Tower western trilogy. As a violent electrical storm rages lightning flashes revealing that on the walls are posters for John Carpenter’s The Thing and The Fog.
“Now listen people. We are experiencing some kind of disaster. I don't know whether it's man-made or natural, but I do know that it's definitely not supernatural. Or biblical. And no offense Mrs. Carmody, but the only way we're going to help ourselves is to seek rescue. We're going out.” - Brent

Abandoning his work as nature’s fury is unleashed, Drayton takes his family into the basement as a massive tree is uprooted and shatters the window where he was seated only moments earlier.

The next day all his calm, a heavy mist sits at the foothills of the surrounding lake. An olive branch is offered to Brent Norton (Andre Braugher), his obnoxious lawyer neighbour and so David, his young son Billy and Brent drive into town to get supplies to repair the damage to their respective houses.

En route police and army vehicles blast by towards a mysterious military science base known as Arrowhead located in the mountains just outside of the sleepy town in Maine. The subject of gossip and folk lore little is known about the experimental compound and unconcerned the trio continue onto the local hardware store.

Once inside more activity erupts as a frantic man bursts into the confines of the warehouse store with a bleeding nose. Startling the customers with claims of his companions swift and unseen fatal encounter within The Mist….suddenly an air raid siren blares and the threatening mist engulfs the shop….it begins.
“It appears we may have a problem of some magnitude.”Bud Brown

Frank Darabont The Mist
I have a bad feeling about this



John Doe says:
So you don’t get the wrong impression, this film does have faults. It’s not perfect and the first half an hour misleads you into believing it’s just another “B” grade horror. It’s easy to settle into believing that you are in for a dose of enjoyable schlock entertainment.

The early FX shots are a little on the tongue in cheek side, but all that changes once its true purpose is revealed. The velocity increases and a claustrophobic study of the fundamentals of a clawing paranoia and desperation emerge. Comparisons to The Thing and Invasion of the Body Snatchers are much more appropriate.

Misconceptions are abruptly removed when suddenly the tension snowballs, the terrifying special effects improve and importantly you become invested in the plight of these trapped characters. By the time the story hits its apex there are few equals to its superior visuals and heart exploding suspense. There is the imminent doom and cold menace of a great white shark rolling it eyes into the back of its head for an inevitable attack.

Now is probably a good time to mention how much JD despised Writer/Director Frank Darabont until this point in his career. He was a man who even managed to bleed any sense of menace or danger from prison (The Shawshank Redemption) and like Spielberg had a saccharine quality to his work that left me repulsed for all the wrong reasons.

In The Mist Darabont’s knowledge of cinema language and deft audience manipulation finally becomes apparent. There is a restrained expertise in the staging and pacing. Cleverly minimising the soundtrack, don’t expect to be warned in advance of impending destruction here. The minimal score is supported by unpolished cinematography that frames shots for maximum impact and urgent editing from the technical team behind The Shield. The result is a social commentary of realism that is inescapable, a tone that salutes the dense atmosphere of his inspirations.

Best of all the film follows through on its pitch dark promises with a finale of such melancholy devastation that Johnny refuse to discuss it with those who have not yet witnessed it for themselves.

The script tightens and the imaginative FX accelerates as each scene proceeds, it’s akin to bamboo shoots up the fingers nails. None of these peripherals would coagulate without the dedication of the cast who are committed to convincing us this is all really happening.

Thomas Jane (Thursday, The Velocity of Gary) backs up his charismatic performance in the under seen real life cop thriller Stander and scene stealing turn in Boogie Nights. You believe his on-screen intelligence and obsessive survival instincts.

Marcia Gay Harden (The Dead Girl) is truly repulsive as the religious zealot all to eager to believe in Gods blood thirsty desires. Inspiring such hatred in the pit of your stomach that it’s hard not to reach into the screen and throttle her. This is a fearless performance that embraces the pack mentality with a fervour that should be rewarded.

All the players including William Sadler, David Jensen and Andre Braugher excel in there parts.

Johnny D loves being surprised by films and when he saw the trailer for this, frankly it looked derivative and judged it to be a poor mans version of The Fog. How wrong he was. Under estimation can sometimes lead to excitement, it wasn’t until about half way through that he realised he had read the original novella, but this didn’t detract from the shocks that the film offered.

The DVD release will have both the original version and also Darabont’s intended cut that is black and white, which I can only imaging adds another level to the creepy feel. So next time your looking for a frightfest on a rainy night, switch all the lights out and prepare for some quality chills in The Mist.

If you would like find out some of the stories secrets, then visit Bryn’s brilliant review over on horrorphile.net

Spoiler Warning - The trailer for the Mist that hints at where the story goes.



Frank Darabont introduces his Black and White version that will be available on the DVD edition.

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Planet of the Apes (1968)

November 9th 2007 00:01
Those damn baboon's could teach us a thing or two?

Planet of the apes box set
Planet of the Apes available - Sequels and TV show not recommended.


“It's a mad house. A mad house.” - Taylor

Often misjudged because of the low IQ sequels and an ill conceived remake, this 1960’s original Planet of the Apes is an intelligent science fiction horror film with important ideals.
“There is no contradiction between faith and science... true science!” – Dr Zaius

Based on the novel by Pierre Boulle with the same conscience in a dystopian world, at its core observing mans destructive nature, the disrespectful exploitation of nature and mistreatment of the environment. Cleverly reversing the Darwinian scale and putting us at the bottom.
“Beware the beast Man, for he is the Devil's pawn. Alone among God's primates, he kills for sport or lust or greed. Yea, he will murder his brother to possess his brother's land. Let him not breed in great numbers, for he will make a desert of his home and yours. Shun him; drive him back into his jungle lair, for he is the harbinger of death.”Cornelius

A spaceship is launched from earth. While journeying through space a malfunction forces the astronauts to crash land in the future. Plummeting into a lake on an unknown Planet, the three surviving crew members decide to leave the safety of a guaranteed water supply. The dirt is poison and they are forced into exploring the dauntingly hostile landscape of an eerie, barren land.

Commander Taylor (Charlton Heston) is a determined, cynical loner who is fed up with society and quests for something better. The other two Landon (Robert Gunner) and Dodge (Jeff Burton) are more subdued and disciplined.
“I'm a seeker too. But my dreams aren't like yours. I can't help thinking that somewhere in the universe there has to be something better than man. Has to be.” -Taylor

Consuming all the emergency supplies in their kit, staving off starvation and thirst are top priority. Exhausted and desperate the trio finally stumble upon a waterhole that answers there prayers.

While skinny dipping and basking in relief, swiftly and silently all their clothes are stolen. Catching only a glimpse of the thieves they set off in hot pursuit managing to get their uniforms back.

Continuing the chase the trio follow their quarry out of the thick bush and into a vast field of tall grass revealing a grunting human race. Having only enough time to conclude that they could advance the species and help evolution along before they are sent into shock!

Sirens screech in their heads at the sight of an evolved gorilla race sitting atop of trusty steeds, armed with rifles. The “civilised apes purpose revealed, hunting homo-sapiens for experimentation and protection of their crops.

Now running for their lives, frightened and confused the simian filled nightmare begins….
“Have you forgotten your scripture, the thirteenth scroll? "And Proteus brought the upright beast into the garden and chained him to a tree and the children did make sport of him." – Dr Zaius


Planet of the apes posters
Planet of the Apes Art and stills




Planet of the apes charlton heston
Chuck relaxes between shots


John Doe says:
Sure the story is taut and the film-making casts a spell with its alien atmosphere but when talking about the premiere Monkey Planet film, the Oscar winning make up must be given its dues. If the characters couldn’t express emotion and authenticity then all the thoughtful dialogue, sense of dread and certainly power would be removed from all other elements.

The results were so good that the CIA secretly recruited some of the artists to work in real life. Disguising double agents smuggled across Russian borders during the last days of the cold war.

Handled with attentive care, Director Franklin J Schaffner (Patton, Pappilon, Boys From Brazil) deliberately sets a tone of hopeless isolation for the opening 15 minutes developing a foreboding mood to emulate feeling ship wrecked on an uninhabitable, lifeless Skull Island.

Science Fiction genius Rod Serling (Twilight Zone) adapts the screenplay investing us in the fascinating conceits of the concept. The Lord of the Flies type philosophical undercurrents rising to the surface. There is an irony permeating as Apes mirror human behaviour that’s punctuated by inverted adages like “Human see, human do.”

The often parodied master stroke ending is still too good to discuss, just in case someone hasn’t actually seen it.

Evergreen in its appeal, the terror that sometimes sneaks in is a combination of Jerry Goldsmith’s abrupt flashes of coordinated noise working with the purposeful cinematography to shape a wide eyed ambiance.

The acting is better than it should be which also adds more prestige to what could honestly have easily become an incompetent, Ed Wood style laughfest.

Chuck Heston always seemed to pick movie’s where needing a gun is a matter of survival and in this his weapon is desired like oxygen. His masculine jaw jutted out as he passionately delivers his lines with fervour, emphasizing Taylor’s character.

Roddy McDowell as scientist Cornelius and Kim Hunter as animal psychologist Zira bring a genuine tenderness to the chimpanzees that rubs off onto all of the gentler breed. (The opposite to real life but anyway)

Maurice Evans has a Shakespearean charisma as Dr Zaius and as a boy Linda Harrison as Nova is a voluptuous fantasy to rival Raquel Welch.

This is one of those movies that opened a very young John Doe’s mind and had him look on existence differently. After watching it again recently I realized Planet of the Apes stands the test of time because it remains sadly so relevant.


The retrograde trailer here.
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Here's a clip from the opening of the film, pre ape.
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28 Weeks Later (2007) - Trailer Included

September 6th 2007 00:06
A Toxic Disneyland

28 Weeks Later DVD
DVD Cover
Director: Juan Carlos Fresnadillo
Starring: Rose Byrne, Robert Carlyle, Catherine McCormack, Imogen Poots, Mackintosh Muggleton, Idris Elba, Jeremy Renner, Harold Perrineau, Emily Beachman


“I don't see who's a target.”Sgt Doyle

Following on from the zombie contagion horror of 28 Days Later, this savage sequel obviously tells the next phase in the viruses evolution.

It’s now 28 weeks after the initial outbreak of infection sent ordinary British citizens into frenzied barbarism to match David Cronenburg’s Shivers and Rabid, sadly without the primitive sex drive.

As the carriers have almost died out and Aided by the US military some semblance of control has been established in centeral London, which is now under strict martial law and looks like a deserted combat zone.
“Have you come in contact with... the infected?”Scarlet

So the story continues in a quiet English countryside manor. Donald Harris (Robert Carlyle) and his wife Alice (Catherine McCormack) live in constant fear of possible attack from drooling disease infected folk.

Stealing intimate moments where they can, living with a handful of survivors a sudden knock at the door interrupts them as they are sitting down for a meager meal. Screams of terror from a young boy pleading for entry swiftly descends into a startling assault.

Fighting for their lives and vastly outnumbered as swarms of flesh eaters smash the cottage that only moments before had been a sombre haven. As Panic rushes through Donald’s blood he sees an opportunity to escape and abandons his loved one. Fleeing the building and sprinting to safety he must now live with the guilt of his actions.

That the opening 15 minutes, putting in motion an unrelenting narrative that has Donald in the Capital where attempts to repopulate the species are not moving as planned and an inevitable resurgence is imminent.
“It all makes sense. they're executing code red. Step 1: kill the infected. Step 2: containment. if containment cannot be done then, step 3: extermination”Scarlet

28 Weeks Later Rose Byrne
Ok I will fight of Kidman and Watts, now you get the press that encourages them.


John Doe Says:
Wider in scope, littered in bloody violence and surprisingly achieving an emotional grounding care of the family drama, this is a sequel that exceeds expectations and betters it’s original. Retaining the stark atmosphere of desolation, barren scenery and reactionary camera work it is the page turner plot, deliberate pacing and unforgiving drive to follow through that elevate this above its over hyped predecessor.

Replacing Danny Boyle in the driver’s seat is Spanish wunderkind Juan Carlos Fresnadillo (Intacto) who’s euro-style adds a fresh, uncensored momentum. Turbulent onscreen chills, jumps and thrills teeter on the precipice of resembling a hand held Michael Bay remake of Blair Witch Project. That it never descends into mindless violence is due to the clever, purposeful screenplay and the Directors comprehension of swift editing that sears necessary information in concise bursts.

The straight faced performances are impressive. Robert Carlyle (Trainspotting, Ravenous) has the most interesting part, boldly willing to be labelled a coward who’s primal survival instinct dominates over the love for his wife. Subtly gaining our trust and sympathy but never losing the element of danger.

Rose Byrne (Sunshine, Dead Girl, I capture the Castle, City of Ghosts, Goddess of 67) is John Doe’s favourite Aussie actress and although here she doesn’t get to do much other than stereo-type she performs admirably and convinces as a pretty doctor who must go beyond her duty as a healer.

Jeremy Renner (Dharma) as the unfortunate sniper who gets a conscience when the bullets are aimed at the innocent has some great lines and he makes his time memorable.

I hate to give the nod to the kids in the film, but Imogen Poots (V for Vendetta) and Mackintosh Muggelton (Harry Potter joke withheld) give true feeling to their characters.

John Doe was underwhelmed by the original 28 Days Later, not terrible, but missing its potential. Feeling like an expansion of the novel Last Man on Earth with an ending so bad the filmmakers knew it and inserted a better one after the closing credits.

This sequel manages to refine all the mistakes of the first and the result is a fun amusement park ride with bite. More raw terror than Johnny could stand didn’t come from the movie itself though, it was the fact this was not the only Horror movie sequel he watched on Saturday night that bested its pedestrian source, a rare supernatural occurrence. Or could this be the start of a trend? JD hopes not because even doing this post commending a 2nd instalment has felt like blasphemy.


The DVD:
Transfer: Widescreen/5.1 Dolby Digital
Extras: Unpreviewed


The Trailer




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