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Film & TV on DVD - John Doe Film News & Reviews

 
Greetings Film Fiends and welcome to John Doe's Film Blog. 30 years of dedicated celluloid obsession has meant that I have seen a few films. Drawing attention to some of the lesser discussed gems that I love. Cult classics, obscure curios and quality genre pictures. This blogs purpose is to translate some of my passion for these films and with luck, inspire you the reader to go check em out.

The Expendables (2010) – Trailer Included

the expendables, poster, sly stallone, arnold schwarznegger, bruce willis, action film
The Expendables - In Cinemas Now


Director: Sylvester Stallone
Writers: Sylvester Stallone and David Callaham
Starring: Sylvester Stallone, Bruce Willis, Arnold Schwarzenegger, Mickey Rourke, Dolph Lundgren, Jet Li, Jason Statham, Eric Roberts, Terry Crews, Randy Couture, Steve Austin, Charisma Carpenter, David Zayas




“ We are the shadow, the smoke in your eyes, the ghosts that hide in the night.”Barney Ross

The late 80’s was a time of ostentatious excess and the action films of the era were no different. Gratuitous violence was backed up by a one liner to let you know it was a make believe fantasy, not to be moralized upon. It was OK to laugh as our lone wolf heroes dished out their own brand of vigilante justice, mercilessly slaughtering faceless dilettante soldiers in absurd numbers. It was just a movie. It was the age of Rambo and Rocky, The T-800 and Dutch, Officer John McClane and Joe Hallenbeck, Harley Davidson and The Marlboro Man…I should stop there, you get the point? A time when tough guy killing machines acted with a grunt, looked like they hadn’t showered in weeks and had no problem rationalizing the morality of pulling a trigger.

This is the bullets don’t hurt, steroid ripped muse that writer, producer and star Sylvester Stallone successfully emulates with The Expendables. In the words of Ivan Drago himself "It's an old-school, kick-ass action movie where people are fighting with knives and shooting at each other.” Packing all the preposterous star power of its casting, that it relies on its nostalgic appeal so heavily does not detract from how well it achieves its primary operational directive.

Making sure it doesn’t get bogged down in exposition and stays true to its roots the familiar plot sees Barney Ross (Sylvester Stallone) as commander of The Expendables. A motley crue of expert mercenaries that consists of Ex SAS blade ninja Lester Christmas (Jason Stratham), the psycho sniper Gunner Jennsen (Dolph Lundgren) and lightning fast Wushu master Yin Yang (Jet Li). The man who make things go boom is Toll Road (Randy Couture) and armory duties fall to Hale Caesar (Terry Crews).

Taking on a suicide mission, the job is to infiltrate the fictional South American Island of Vilena and overthrow General Gaza (David Zayas), a tyrannical dictator lording over his people with fear and destruction.

Explosive annihilations, deadly political corruption and mass carnage follow as our burly bunch of bicep flexing Cro-Magnons reign down bloody Armageddon as saviors of the tropical isle.


the expendables, jason stratham, steve austin, randy coulture, dolph lundgren
Ross and Christmas use the universal hand signal for kill those guys.



John Doe Says:

Solidly footed in the base level of The Dirty Dozen meets Dogs of War scenario The Expendables reinforces its clichéd borders admirably. The behemoth of pyrotechnics and actors doing their own stunts camouflages some atrocious computer effects and pin pulled to early pacing. Jilted dialogue and zingers impossible to say with a straight face napalm the script at times. Despite all this, its adherence to the fundamentals of kaboom filmmaking and the chance to see iconic screen juggernauts from youth face off one more time means there is a lot of forgiveness in the room. It’s easy to be charmed by the familiar profiles and bombastic hyper violence in easily defined good guys and bad guys territory.

The Italian Stallion knows the dirty little secret of heart pounding action and the recognizable faces mean that fight scenes can be edited between characters without ever losing track of position. Making the most of the 80 odd million dollar budget aerial shots are milked and the exuberant sweeping cinematography by Tony Scott regular Jeffrey L Kimball is inserted to add scope and attempt a more epic feel. Without the cast this would probably have been straight to video but the on location urgency beats a tone of adrenalin to help the rollicking adventure.

Hitting all the marks, the car chase is exciting, the carnage excessive in impact and the hand to hand combat well realized. You don’t expect exploration of themes or development in a film of this type and the few times those daunting walls of deeper meaning are scaled the fall down the other side often results in fracture.

Stallone’s screenplay is aware of his muscle bound casts strengths and they seldom have to stray far to stay in character. The actors get to do what they do best and for the most part it’s all physical. A heartfelt and sincerely delivered speech by Mickey Rourke (The Wrestler, Angel Heart) feels out of place because of the sheer caliber of scope that is so lacking in everyone else.

Sly (Copland, Tango and Cash) plays Ross like he was carrying a rucksack loaded with lead, the same way he portrayed the latest installment of Rambo. War weary, tired of the life but resigned to the fact it’s all he can do.

Jason Stratham (The Bank Job, Snatch) is very much second in charge and he executes the knife swipe choreography with athletic prowess to sell the gooey aftermath.

Opting for exuberance Eric Roberts (Runaway Train, The Pope of Greenwich Village) is cartoon villainy personified. Dolph Lundgren brings his A game and comes out looking better for inclusion. Jet Li suffers at the curse of too many lines while the rest get to be strong silent types.

The much touted cameo from the Governator and Bruce Willis is stiff and tacked on. It may be uncomfortable but seeing the trio of legends in the same frame brings a flash of goosebumps.

Leaving Angel from Dexter behind David Zayas makes the most of his role as the manipulated General. The Pro wrestlers and ultimate fighters like Terry Crews, Randy Couture and Steve Austin are easily forgettable.

The Expendables doesn’t warrant all the hype. Without its banner names there is not much to excite. Still it entertains for sentimental reasons. Failing to live up to the films it attempts to carbon copy and catering to a specific audience that John Doe is a member of, this is a mucho guy movie that goes better with a few beers and a testosterone chaser.


Trailer for The Expendables


A sample of the pyrotechnics as a dock is exploded


The opening Gunfight that sets the tone.

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Comments
10 Comments. [ Add A Comment ]
1. September 14th 2010 @ 05:22. ShaunK Says:
hehe - hey hey - looks like we had the same thoughts on this here - mighty fine review old boy - it was a fun and empty trip down memory lane
2. September 14th 2010 @ 06:06. David O'Connell Says:
Indeed JD, it does "entertain for sentimental reasons". True about Mickey's great scene, it kind of over-emphasises the emptiness around it, but I still appreciated it for what it was.
Was some of the CGI really that atrocious? I can't say I noticed too much of that - although if you're talking bodies being split in half etc. well then yes, ridiculous is the word - but so is FUN!!
3. September 14th 2010 @ 08:47. Deni Says:
Nice, JD.
I'm still waiting to watch this. I haven't been in the mood for testosterone lately but I'm getting there.

4. September 14th 2010 @ 23:18. JohnDoe Says:
Thanks Shaun, I read your review after watching. Pissed that you claimed the words dinosaur and prehistoric, two that I really wanted to use



_____________________________ __________

Hi David,

Because of the cast doing a lot of there own stunts the times it was CG stood out. The one that was the biggest is a soldier burning near the end of the film.

Still I didn't hate it, but still would have been nice if it genuinely competed with its brethren. They need to hire Shane Black to write the second one! Then success is assured.


_____________________________ _____________________________ _______


Hi Deni,

Don't expect much and you will enjoy it for what it is. I heard a rumbling you liked The Losers and its in that vein.
5. September 14th 2010 @ 23:35. ShaunK Says:
ahhh, I try my best what can I say. Yes I noticed how dumb all the flames looked in that particular scene. Shane Black! What a great idea - of course it will never happen - but that would be a genius idea!
6. September 14th 2010 @ 23:42. Bryn Says:
As I suspected.
7. September 14th 2010 @ 23:51. JohnDoe Says:
No surprises Bryn. You really do need that affection for the cast to lift it above mediocrity.
8. September 15th 2010 @ 00:39. Matt Shea Says:
I went into Expendables expecting not too much but still came out loathing it. Sly really nailed the last instalment of Rambo but, for me, he squandered that goodwill with this. The plot made no sense, the action scenes made no sense, the dialogue made no sense. Eric Roberts was probably the best thing about it. It did not deserve this fine write-up, JD .
9. September 15th 2010 @ 00:58. Bryn Says:
Matt, there you are! Where you been hiding?
10. September 15th 2010 @ 21:45. JohnDoe Says:
Hi Matt,

I liked the latest Rambo more than this one too. Expendables is a novelty for sure.

Thanks for the complimentary final sentence.

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