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Film & TV on DVD - John Doe News & Reviews

 
Greetings Film Fiends and welcome to John Doe's Film Blog. 30 years of dedicated celluloid obsession has meant that I have seen a few films. Drawing attention to some of the lesser discussed gems that I love. Cult classics, obscure curios and quality genre pictures. This blogs purpose is to translate some of my passion for these films and with luck, inspire you the reader to go check em out.

The Mist (2007) - Trailer Included

April 22nd 2008 23:57
The Unseen Villiany Within

The mist Poster
The Mist is due to be released on DVD in Australia on the 19th of June
Writer/Director: Frank Darabont
Based on the Novella by: Stephen King
Starring: Thomas Jane, Marcia Gay Harden, William Sadler, Sam Witwer, Toby Jones, Laurie Holden, Andre Braugher, David Jensen


“As a species we're fundamentally insane. Put more than two of us in a room, we pick sides and start dreaming up ways to kill one another. Why do you think we invented politics and religion?” - Ollie

Stephen King is one of the most prolific writers of any era. He has penned in excess of 50 novels that have in turn been translated into more than 75 movies, TV Shows and mini series. Not counting his excursions into drama (Eg: Hearts in Atlantis, Stand By Me) most of his Horror/Thrillers have been mediocre at best. There have been three cinema adaptations that are masterpieces, Stanley Kubrick’s The Shining, David Cronenberg’s The Dead Zone and Brian De Palma’s Carrie. Several mediocre efforts that hold some merit like John Carpenter's Christine, Rob Reiner’s Misery and Bryan Singer’s Apt Pupil. For the most part sadly the majority of celluloid excursions have wasted opportunities and ended up sub par or worse as downright trash.

Hitting cinemas last year, The Mist is a supernatural horror film that can proudly become the fourth exercise in terror to be confidently deemed a cinema gem. Based on a novella from The Skeleton Crew it’s taut, disturbing and painfully clever. This is a journey into nerve wracking trembles spearheaded by humanity’s destructive reaction to fear of the unknown.
“I can't accept that. People are basically good; decent. My god, David, we're a civilized society.”Amanda

A lazy synopsises would be that it’s the Cube and Lord of the Flies cross bred or is that in bred with a traditional Twilight Zone monster movie. It’s not John Doe’s style to be lazy though, hence the 100 plus words before he even gets around to discussing the film in question. So here is a brief introduction to this tale that hopefully remains spoiler free.
“The end of times has come. Not in flames, but in mist.”Mrs Carmody

David Drayton (Thomas Jane) is a movie poster artist, as the camera focuses on him working the nods to the stories original author and the tone of the film are immediately present. David is presently painting illustrating a film version of the Gun Slinger, part of King’s Dark Tower western trilogy. As a violent electrical storm rages lightning flashes revealing that on the walls are posters for John Carpenter’s The Thing and The Fog.
“Now listen people. We are experiencing some kind of disaster. I don't know whether it's man-made or natural, but I do know that it's definitely not supernatural. Or biblical. And no offense Mrs. Carmody, but the only way we're going to help ourselves is to seek rescue. We're going out.” - Brent

Abandoning his work as nature’s fury is unleashed, Drayton takes his family into the basement as a massive tree is uprooted and shatters the window where he was seated only moments earlier.

The next day all his calm, a heavy mist sits at the foothills of the surrounding lake. An olive branch is offered to Brent Norton (Andre Braugher), his obnoxious lawyer neighbour and so David, his young son Billy and Brent drive into town to get supplies to repair the damage to their respective houses.

En route police and army vehicles blast by towards a mysterious military science base known as Arrowhead located in the mountains just outside of the sleepy town in Maine. The subject of gossip and folk lore little is known about the experimental compound and unconcerned the trio continue onto the local hardware store.

Once inside more activity erupts as a frantic man bursts into the confines of the warehouse store with a bleeding nose. Startling the customers with claims of his companions swift and unseen fatal encounter within The Mist….suddenly an air raid siren blares and the threatening mist engulfs the shop….it begins.
“It appears we may have a problem of some magnitude.”Bud Brown

Frank Darabont The Mist
I have a bad feeling about this



John Doe says:
So you don’t get the wrong impression, this film does have faults. It’s not perfect and the first half an hour misleads you into believing it’s just another “B” grade horror. It’s easy to settle into believing that you are in for a dose of enjoyable schlock entertainment.

The early FX shots are a little on the tongue in cheek side, but all that changes once its true purpose is revealed. The velocity increases and a claustrophobic study of the fundamentals of a clawing paranoia and desperation emerge. Comparisons to The Thing and Invasion of the Body Snatchers are much more appropriate.

Misconceptions are abruptly removed when suddenly the tension snowballs, the terrifying special effects improve and importantly you become invested in the plight of these trapped characters. By the time the story hits its apex there are few equals to its superior visuals and heart exploding suspense. There is the imminent doom and cold menace of a great white shark rolling it eyes into the back of its head for an inevitable attack.

Now is probably a good time to mention how much JD despised Writer/Director Frank Darabont until this point in his career. He was a man who even managed to bleed any sense of menace or danger from prison (The Shawshank Redemption) and like Spielberg had a saccharine quality to his work that left me repulsed for all the wrong reasons.

In The Mist Darabont’s knowledge of cinema language and deft audience manipulation finally becomes apparent. There is a restrained expertise in the staging and pacing. Cleverly minimising the soundtrack, don’t expect to be warned in advance of impending destruction here. The minimal score is supported by unpolished cinematography that frames shots for maximum impact and urgent editing from the technical team behind The Shield. The result is a social commentary of realism that is inescapable, a tone that salutes the dense atmosphere of his inspirations.

Best of all the film follows through on its pitch dark promises with a finale of such melancholy devastation that Johnny refuse to discuss it with those who have not yet witnessed it for themselves.

The script tightens and the imaginative FX accelerates as each scene proceeds, it’s akin to bamboo shoots up the fingers nails. None of these peripherals would coagulate without the dedication of the cast who are committed to convincing us this is all really happening.

Thomas Jane (Thursday, The Velocity of Gary) backs up his charismatic performance in the under seen real life cop thriller Stander and scene stealing turn in Boogie Nights. You believe his on-screen intelligence and obsessive survival instincts.

Marcia Gay Harden (The Dead Girl) is truly repulsive as the religious zealot all to eager to believe in Gods blood thirsty desires. Inspiring such hatred in the pit of your stomach that it’s hard not to reach into the screen and throttle her. This is a fearless performance that embraces the pack mentality with a fervour that should be rewarded.

All the players including William Sadler, David Jensen and Andre Braugher excel in there parts.

Johnny D loves being surprised by films and when he saw the trailer for this, frankly it looked derivative and judged it to be a poor mans version of The Fog. How wrong he was. Under estimation can sometimes lead to excitement, it wasn’t until about half way through that he realised he had read the original novella, but this didn’t detract from the shocks that the film offered.

The DVD release will have both the original version and also Darabont’s intended cut that is black and white, which I can only imaging adds another level to the creepy feel. So next time your looking for a frightfest on a rainy night, switch all the lights out and prepare for some quality chills in The Mist.

If you would like find out some of the stories secrets, then visit Bryn’s brilliant review over on horrorphile.net

Spoiler Warning - The trailer for the Mist that hints at where the story goes.



Frank Darabont introduces his Black and White version that will be available on the DVD edition.

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Peeping Tom (1960) - Trailer Included

October 29th 2007 00:00
The Voyeuristic Death of Artistic Compulsion


Peeping Tom DVD
Peeping Tom available on DVD in Australia
Director:Michael Powell
Starring:Carl Boehm, Moira Shearer, Anna Massey, Maxine Audley


“Do you know what the most frightening thing in the world is? It's fear.”Mark Lewis

Described as “filthy”, “beastly” and “pornographic” by the critics and public that slaughtered it, Peeping Tom is the film that destroyed the career of prolific A Grade Director Michael Powell.

After being dismissed, banned and considered trash upon release now viewed through modern eyes it is a work of profound insight. A psychological horror film that bleeds into the real world audience because of its lead characters obsessed voyeurism. Going beyond Hitchcock’s Rear Window and later inspiring the French New Wave revolution of Blow Up.

Mark Lewis is a cameraman for a movie studio. In his downtime he takes smut photos for a porn dealer. Quiet and unassuming, this handsome man exudes a timid persona but hidden beneath the skin is a murderous monster.
“Whatever I photograph I always lose.”Mark Lewis

The product of callous experiments by his scientist father, detached from his own morality Mark’s butchered psyche drives a murderous urge to stalk women with his lens as he attempts to capture pure terror in the face of his dying victims.

Justifying his actions by operating under the guise of making a 16mm documentary on the cause and effects of extreme fear, he is thrown into a maelstrom of paradox when he meets Helen Stephenson.
“Take me to your cinema”Mrs Stephenson

Helen lives downstairs with her blind mother and as the relationship develops he begins to see the truth of his predicament, but can he act on what he has learnt or will his compulsions continue?
“Instinct's a wonderful thing, isn't it, Mark? A pity it can't be photographed. If I'd listened to it years ago, I might have kept my sight. I wouldn't have let a man operate I had no faith in.”Mrs Stephenson

Peeping Tom
Mutated Beauty and Tempation


John Doe says:
Examining the complex motivations of society’s attraction to violence and putting a mirror up to the viewer this clinical study of artistic addiction is constantly unnerving. The non-judgemental treatment of its ugly subject is frightening with its chilling observations.

Dwelling in a more ambiguous and ugly world than 1960’s audiences were adept to deal with it is easy to see why this near masterpiece was decried upon release, it forces the viewer to acknowledge the cold society that was usually hidden in cinema.

Artistically Director Michael Powell, (They’re a Weird Mob, the Red Shoes, Black Narcissus, 49th Parrel, Thief of Baghdad) delicately strokes the conflicted lead character while always making sure that his depraved motivations ensure the often morally questionable prey is sympathetic. Unspoken sexual fetish underscores brutal demise.

Suspense builds as the camera shifts from the first person to observe the wider frame and we are forced to readjust our uncomfortable desires. Adding to the conflict, Mark’s acquaintances in the film are more nihilistic because of they possess a self awareness he lacks, they consciously destroy others emotions.

The technical skill on display is faultless, the sets ups, sound and editing all communicating inner mechanisms and provide icy atmosphere. Tension grows, the brightly coloured frames slice away like a surgical scalpel to reveal hidden truths about primal human behaviour.

Written by former WWII cryptographer and code breaker Leo Marks, the screenplay is an exercise in honed structure.

The cast’s performances are the final ingredient in the deliberate celluloid realism. Carl Boehm as the lead evokes a response with every wince of an eye, nervous tremble and stuttered delivery.

Anna Massey as the potential for redemption under plays her part effectively. The rest of the players also use striking physicality so sometimes you remember a face or a moment better than the lines uttered.

This week being Halloween, John Doe decided that it was appropriate to address some of his favourite horror films and this is certainly one. This dark character study has since been mimicked and refined by films like One Hour Photo but somehow when watching it there is still the feeling it is ahead of it’s time.

It is a travesty that someone of Michael Powell's caliber ended up exiled to Australia because of this films controversy, but his vast filmography of quality work guarantees he will always be revered


Martin Scorsese discusses Peeping Tom.


The original Trailer

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